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Early on, one imagines that its unflinching silliness might actually be critique, satire, an absurdist commentary on the hopelessness and desolation of modern urban life, but no: It’s simply a piece that goes so far as to quote “Jeepers Creepers” as it stitches together swaths of parlor-music, old musicals and assorted bits of 20th century musical detritus. Pizzicato encinitas coupon how to#Françaix surely knows how to write for instruments, and he shows the French facility for instrumental color, but this is an irredeemably vacant work. The work begins promisingly enough, with an austere and autumnal melancholy, but then dives into a morass of bathos from which it never emerges. A pre-concert video identified Françaix as a neglected composer, but this 1972 work - included, probably, because it shares the instrumentation of Schubert’s own Octet - is hardly an argument for finding out more about him. Sadly, the programming of Jean Françaix’s “Octet” on the penultimate event of the festival seemed like an unfortunate miss. Rogerson has influences, to be sure, but they’re good ones: one hears modal harmonies that echo Stravinsky and Copland, and in the last movement, very effective polytonal writing evokes memories of Ives’ “Unanswered Question.” But there is a great deal of originality and substance in Rogerson’s language, all of wrought with craft and conviction. Pizzicato encinitas coupon full#The collective visual energy of gestures that called for full and heavy bowing, for example, was gripping, and an array of textures moved from full-group unisons to soloistic flares that spun off from the tutti ensemble like sudden concertos. Each movement is designed with clarity and with a sensitivity to how the body of a performer communicates dramatic power. ![]() “Til it was dark” explores and showcases the resources of each instrument, from the grand piano chords of the opening (played with great command by pianist Wynona Wang) to the serpentine contrapuntal string lines in the second movement. Rogerson understands the inherent drama in virtuosic instrumental writing and visceral, often risky, chamber ensemble relationships. Rogerson’s “Til it was dark” is scored for piano, violin, viola, cello and bass - the same instrumentation of Schubert’s “Trout” Quintet, hence the “new wine in an old bottle.” This a serious, big, new work. This was a world premiere, and an exciting one. The newest work on the program, and the most important, was a compelling new work by composer Chris Rogerson. Thursday evening’s concert, dubbed “New Wine, Old Bottles,” combined the musical with the social for its theme: two of the pieces on the concert used instrumentation familiar to us from works by Schubert, and, well, there was a wine auction that took place after the intermission. Pizzicato encinitas coupon series#Music Director Inon Barnatan’s ambitious and thoughtful monthlong concert series has covered several centuries worth of music and mixed the familiar with the new. By the time of this printing, La Jolla Music Society’s SummerFest will have drawn to a close. ![]()
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